The Inspiration behind La Prairie’s New Store Design
Swiss Contemporary Architecture is much admired for both its innovation and sophisticated elegance. The founding in 1928 of the International Congresses of Modern Architecture in Switzerland, along with the groundbreaking work of Swiss-born modern architects, such as Charles-Édouard Jeanneret, known as Le Corbusier, introduced Swiss Contemporary architecture to the world. At the forefront of the modern architecture movement, it embodies the purity, precision and aesthetic harmony inherent to Switzerland.
Since the 1990s, the minimalist buildings of Swiss architects Herzog & de Meuron have been consistently creating a sensation on the international architecture scene. One of their most celebrated projects involved converting the Bankside Power Station in London into the new home of the Tate Modern, one of the largest museums of modern and contemporary art in the world.
Another artistic movement inspired by the dramatic landscapes found in Switzerland, the school of Land Art is a conceptual approach from the 1960s rooted in nature — one in which landscape and the work of art are inextricably linked. To wit, this month, the city of Grindelwald, Switzerland will host the LandArt Festival, during which 11 international teams will create sculptures and other works in the surrounding natural environment, using only natural and locally sourced materials.
In designing its new store concept, La Prairie took inspiration from both the sleek Swiss Contemporary Architecture for its store design and the organic Land Art for its Visual Merchandising. Further celebrating the intrinsic link to artistic movements, the store is adorned with commissioned modern sculptures representing each of the key skincare collections. The entire space echoes contemporary aesthetic movements through a pristine elegance pays homage to the beauty and timelessness of the birthplace of La Prairie.
Architecture, Herzog & de Meuron, Land Art, Contemporary Art
An Audacious Year at Art Basel
In 1970, three passionate and determined Basel gallerists — Ernst Beyeler, Trudi Bruckner and Balz Hilt — staged an international art exhibition. It was an immediate sensation, bringing together exceptional artwork from around the world to Switzerland. In that inaugural show, more than 16,000 enthusiasts attended to see art from 90 galleries and 30 publishers representing 10 countries.
Art Basel is now one of the world's major art shows for modern and contemporary works, with unique shows also hosted in Miami Beach and Hong Kong.
Basel continues to be the premier contemporary art fair, and last week nearly 300 of the world's leading galleries descended on the Swiss cultural capital to showcase paintings, drawings, sculpture, installations, prints, photography, video and digital art by more than 4,000 artists. The galleries represented 35 countries and six continents.
This year, amidst the talks, performances and soirées, visitors were drawn to the beating heart of the fair — the galleries that took over the Messeplatz and offered an array of raw and beautiful pieces, some of which boldly reflected the world’s current cultural and political climate.
There was a palpable frisson of excitement as art connoisseurs and buyers from around the world viewed work by such legends as Picasso, Miró and Schiele, along with awe-inspiring contemporary artists at the pinnacle of their careers. These included Swiss artist Urs Fischer who reinvented Rodin’s The Kiss with oil-based modelling clay and invited visitors to interact with it. They eagerly pulled off pieces and inscribed their names with it across on the walls.
Emerging artists were also celebrated. The Baloise Art Prize, which is awarded annually to two young artists, went to America’s Sam Pulitzer and Martha Atienza from the Philippines. Mr. Pulitzer exhibited a series of transparent corridors mounted with playful drawings in coloured pencil inspired by advertising, clip art and popular culture. Ms. Atienza’s video installation featured a parade of characters from one of the Philippines’ oldest festivals, which she shot walking across a seabed as a critical and humorous take not only on the state of society in her home country, but also on the threat of climate change.
Perhaps the most spellbinding exhibits were the enormous installations in the “Unlimited” section, such as Subodh Gupta’s Cooking the World, which featured a shelter made from cooking utensils suspended from the ceiling on fishing lines. Inside, the artist cooked Indian food for those lucky enough to have secured a ticket for the live performance. The sharing of food served as a gesture of inclusion and acceptance.
Sue Williamson’s large-scale installation featuring bottles each hand-engraved with information about a different slave from the 16th to the 19th century added to the mesmerising spectacle.
Camilla Brown, 63, from Lausanne, who has been attending the fair for the past 28 years, said: “Every year Art Basel gets better and better, and this year is absolutely astonishing. There’s super strong energy. Everyone can feel it.
In her mind, this was Art Basel’s strongest year.
All these fantastic pieces give you so many emotions,” said Ms. Brown. “The visitors are amazing too. It’s quite a show to sit and watch them – they’re a performance in themselves. I’ve been here for three days and you get a bit drunk on all the emotions you feel from everything you see.
And galleries were not the only ones showcasing electric works of art this year.
In a first-of-its-kind partnership, La Prairie — whose innovative spirit and passion for audacity mirrors the world of contemporary art — partnered with Art Basel to invite guests inside its rarefied world of timeless beauty.
Part of the fair’s VIP Lounge was transformed into a transcendental La Prairie universe, where guests enjoyed customised treatments next to an audacious installation by Paul Coudamy, who was commissioned to celebrate the 30th anniversary of the brand’s iconic Skin Caviar.
For his steel sculpture, entitled Living Cells, the French architect and artist uses volume to masterfully interpret La Prairie’s latest groundbreaking innovation, Skin Caviar Absolute Filler.
Inspired by the Weaire-Phelan structure, a mathematical formula of a complex three-dimensional form representing foam bubbles of equal size, Living Cells is comprised of lustrous black, magnetised marbles — reminiscent of caviar, another nod to its muse. The installation’s captivating form and spiral structure seemed to be in constant flux, transcending its surroundings and striking awe amongst viewers.
The installation echoed the culmination of the worlds of art and science seen throughout Art Basel this year.
Art Basel, art, skincare, Basel, Paul Coudamy, Living Cells, Skin Caviar Absolute Filler
La Prairie Invites: Audemars Piguet
For its first edition of La Prairie Invites, the premier luxury skincare brand talks to Audemars Piguet about the beauty of timelessness.
Just like La Prairie, Audemars Piguet has been inextricably linked to art from its very beginnings. With a shared vision for audacity, unparalleled aesthetics and timelessness, both luxury Swiss brands have a partnership with Art Basel — the world's premier modern and contemporary art fair — which has shows in Basel, Hong Kong and Miami.
Audemars Piguet, one of the world's most celebrated luxury watch manufacturers, has mastered the art of perfection with rule-breaking innovation.
In 1972 — 97 years after its birth — the Swiss brand dared to do the unthinkable. As part of an eternal quest to combine artistic excellence and technical expertise, Audemars Piguet launched a watch that rocked the tranquil waters of horology. It transcended the inelegant confines of the average sports watch to produce a masterpiece of opulence and engineering.
The Royal Oak was both sporty and infinitely beautiful. Treated with the reverence of gold, its steel case had an astonishing lustre. The bezel was a groundbreaking octagonal shape and the dial’s tapisserie pattern captivated with its ability to reflect light. With its audacious design and breathtaking craftsmanship, the Royal Oak entered the elite club of timeless classics.
Based in the Vallée de Joux, known as the cradle of fine watchmaking, the brand continues to be revered for its innovation and sophistication. It still inspires the Royal Oak’s devoted followers with regular updates and produces a limited 40,000 watches per year to ensure exclusivity across all its collections.
“I believe that luxury products have almost become a philosophical refuge from the pace of today’s world,” asserted Chadi Gruber, Audemars Piguet’s head of product development. “Luxury means taking your time in a world where everything is too fast. We are proposing a slow perfection.”
Luxuries not only make time appear to stand still — they can also produce a poetic resonance.
“The creativity of our designs and movements, and the painstaking precision and rarity of our materials, provide an escape from pure vital needs,” stated Chadi.
“We create objects that allow you to travel internally, like art does. We’re here to create emotions and make people travel outside the purely material and technological world. You can see the artist’s soul in its work and for me it’s the same thing for our watches. They include a part of the artisan’s soul. I often make the analogy between our watches and art because, for me, a watch is a painting that you wear on your wrist.”
The birthplace of the brand, Switzerland has become synonymous with luxury, elegance and precision because of its centuries-old culture of embracing seriousness, refusing to compromise on quality and valuing hard work, Chadi stated.
The industrious character of the Swiss, along with the harsh weather, helped them to become world leaders in horology, as farmers with a penchant for precision turned to watchmaking during the long winters.
Today, Audemars Piguet continues to create timeless elegance by never forgetting its rich past and having a vision for the future.
How does it manage to keep ahead of time?
“I would say we’re perfectly on time. We just know it before others,” declared Chadi.
Audemars Piguet, Time, Luxury, Swiss Watches, Art Basel, Royal Oak
Art Basel and La Prairie: an Inspired Partnership
Art Basel, the renowned art exhibition held in Basel, Switzerland, is the world's premier art show for modern and contemporary works. The organisation also holds shows in Miami Beach and Hong Kong. Defined by its host city and region, each show is unique – a uniqueness reflected in its participating galleries, the artworks presented, as well as the content of parallel programming produced in collaboration with local institutional partners.
La Prairie will partner with Art Basel in a first-of-its-kind partnership from June 12-19, 2017. As part of this exciting initiative, La Prairie will be present in Art Basel’s VIP Lounge throughout the duration of the fair, where visitors will have the opportunity to experience the La Prairie universe and enjoy customised La Prairie treatments.
Using rare, precious ingredients, La Prairie continues to break the codes of luxury skincare. Founded on the belief that the scientist’s creative process is akin to that of the artist, every La Prairie formulation begins with an audacious vision.
“We are very excited about the partnership between La Prairie and Art Basel, which we feel perfectly represents our quest for timeless beauty and our passion for audacity,” said Patrick Rasquinet, President and CEO of La Prairie Group. “Indeed, from the painstaking research behind our scientific breakthroughs to the opulent formulations that envelop the senses, from the jewel-like packaging to the high-touch service, art is not just what La Prairie is, it is what we do,” he added.
That innovative spirit is mirrored in the world of contemporary art. “Art Basel gathers influencers from the international artistic community who seek to push the envelope of what is possible, which is why we feel a partnership with La Prairie is reflective of Art Basel’s values,” said Marc Spiegler, Global Director of Art Basel.
In addition to establishing the partnership with Art Basel in 2017, La Prairie will also mark the 30th anniversary of its iconic Skin Caviar. To celebrate the occasion, La Prairie plans to collaborate on an artistic installation with a select group of contemporary artists. Check this space for updates.
Keywords: Art, Art Basel, Artists, Audacious, Luxury, Innovation, Contemporary Art
THE LEGACY OF THE REVOLUTIONARY BAUHAUS DESIGN MOVEMENT
Clean, minimal, elegant, audacious: Bauhaus changed the course of art and architecture in our world.
Audacious by nature, revolutionary in its influence, the Bauhaus design movement altered the course of art and architecture in the western world.
Founded in 1919 by architect Walter Gropius in Weimar, Germany, through his Staatliches Bauhaus School of Design, Architecture and Applied Arts, the movement represented a dynamic new way of understanding the relationship between fine arts and industry.
At the school, known simply as ‘Bauhaus,’ creativity and manufacturing were brought together in order to imagine a new paradigm for creating art and objects. This approach was centred on a clean, functional and minimal aesthetic, resplendent in calming purity and unparalleled sleekness.
With the founding of Bauhaus, no longer would design be held in higher esteem than woodworking; no longer would architecture be seen as superior to painting. Instead, all disciplines would be equally exalted. It was through this convergence that Gropius elevated everyday objects to objects of design.
This fusion was achieved by combining two existing schools (the Weimar Academy of Arts and the Weimar School of Arts and Crafts) into a single entity. The movement reached its zenith in the latter half of the 1920s.
In this unique learning centre, students did not sit and listen to lectures. Instead, workshops known as ‘Werkstätten’ allowed the young talent to learn by doing – from pottery to typography, encouraging them to see the world through a new lens.
Move to Dessau
The progressive movement was not without its critics. In local elections in 1925, conservatives took power and put an end to the school’s funding. Gropius therefore took his ideas to Dessau, where the iconic Bauhaus building was commissioned. It was at this point that the school entered a radical new phase of creativity, innovation and influence.
The building itself was a feat of ingenuity unlike anything the world had seen. With symmetry rejected, one needed to circle the school in order to understand its three-dimensional character and each of its trio of components: a four-story workshop wing, a classroom wing and linking these two section, an administration block.
Bauhaus building in Dessau by architect Walter Gropius. Photographer: Glenn Garriock
In this new facility, Gropius united celebrated artists and craftspeople. Josef Albers, Anni Albers, Marianne Brandt, Marcel Breuer, Wassily Kandinsky, Paul Klee, Laszlo Monoly-Nagy and Oskar Schlemmer were all part of either the school’s faculty or student body – and sometimes both.
Ludwig Mies van der Rohe, another innovator in the world of contemporary design, succeeded Gropius as Director at the Bauhaus school from 1930 to 1933, when the school closed permanently.
Bauhaus studio house in Dessau by architect Walter Gropius. Photographer: Shannon McPherron
Why the movement came to pass
In order to understand why Bauhaus was so startlingly different to the norms of its day – and why it continues to shape our visual world today – one must examine the social conditions in which it arose.
At the time it was conceived by Gropius, there was an emerging feeling that manufacturing had become soulless. Set apart from the inspiration and vision of fine arts and design, it had splintered into an industrial carousel of producing objects in a robotic fashion, completely lacking in passion and joy.
As such, the reunification of arts and crafts proved a welcome antidote, as well as acting as a counterpoint to the ubiquitous, elaborately ornate designs of the time.
Bauhaus building in Dessau, balcony of studio house, 1925/1926. Photographer: Lucia Moholy, Bauhaus-Archiv Berlin, © 2018, ProLitteris, Zurich
While the school was open only a short time, its legacy continues to reverberate through the world of design. Indeed, La Prairie takes inspiration from Bauhaus, infusing its packaging with the clean, geometric aesthetic of the movement, visible in the minimalist lines of a Skin Caviar jar or the sleek silver of the La Prairie box. Most significantly, however, it is the Bauhaus dedication to excellence, its quest for innovation and its desire to dismantle norms that continue to inspire La Prairie today.
Architecture, Art, Bauhaus, Design, Dessau